Craig’s crushing on quiet, distant Lio, and preoccupied with what it meant when Lio kissed him...and if he’ll do it again...and if kissing Lio will help him finally get over his ex-boyfriend, Cody.
Lio feels most alive when he's with Craig. He forgets about his broken family, his dead brother, and the messed up world. But being with Craig means being vulnerable...and Lio will have to decide whether love is worth the risk.
This intense, romantic novel from the author of Break and Invincible Summer is a poignant look at what it is to feel needed, connected, and alive.
Over the past few weeks, Hannah Moskowitz’s writing has come
along and swept me up in a whirlwind of awesome. She’s got this way of writing that makes you feel the characters, makes you leap
inside their mind during the duration of the book and see through their eyes,
feel what they feel and love what they love.
Which is intended to be complimentary and an exclamation of greatness,
by the way. Not creepy.
When I read Teeth
a couple months ago, I was struck by the sheer force of its
characterization. I remember
simultaneously thinking that it had to be a fluke, and praying that it wasn’t
because seriously, YA needs more writers like Moskowitz. So I quickly ordered Gone, Gone, Gone and set to reading it with cautious optimism.
If you want me to sum up my reading experience in just one
word, here it is; holyfreakingwow. Teeth was not a fluke, Moskowitz really
is just that good, and I think I’ve found my new (again, not creepy) author
obsession.
The difference in plot between the two books is
monumental. One is an abuse-themed
fantasy about magical all-curing fish, the other a contemporary about what it’s
like to fall in love in a time of fear.
But it’s obvious that both are penned by the same talented writing hand,
because both feature some of the absolute greatest characterization I have ever
read. Ever. Now I know I’m beating the whole “Omgz this
book’s characterization! Asdfghkl soooo
good FEELS!” thing over the head, but it’s honestly that big of a deal. If you didn’t already know that the single
most important thing about a book for me is its characters, you do now. And Gone,
Gone, Gone delivers beautifully.
Craig and Lio are sophomore boys living in the D. C. area
during a string of sniper shootings shortly after the 9/11 terrorist
attack. Both have their own wonderfully
realistic flaws, and both react to the shootings differently. Both are also gay boys navigating their
growing feelings for each other while faced with obstacles that keep them
apart. Something I love almost as much
as the characterization in Gone, Gone,
Gone is how it handles the LGBT theme.
Lio and Crag being gay is hardly even an issue in this book. Craig’s family knows about his sexual orientation
and is completely okay with it, and though Lio’s family may be a bit more
clueless, we know from the very start that it wouldn’t be that big of a deal to
them. They don’t get teased, they aren’t
victims or statistics, and this isn’t a story about being gay. It’s a story about falling in love, and the
two that are doing the falling just happen to possess the same form of
genitilia. I’ve read so many books that
make the main character’s homosexuality the forefront of the plot, so I can’t
tell you how refreshing it is to read a novel that doesn’t care that its
characters are gay or use it as some sort of plot device.
The writing is, of course, superb. There is depth to this novel that is just so
raw and pure, it almost brought tears to my eyes on several occasions. One line in particular jumped out and caught
me:
“You know that whole thing about the world ending with a whimper, not a
bang? This is how it’s going to
happen. We get shot until there’s no one
left.”
“ ‘You think you won’t get shot because you’re you. You
doesn’t get shot. Won’t happen to you.’ ”
I love how eloquently Moskowitz put this, this ingrained
feeling of invincibility we all walk around with. This knowledge that we are going to live to
see another day, that our lives won’t be stolen from us even though it happens
to others all the time. That we’re
somehow special just because we’re us. I spent so much time during the three days I
was reading this novel thinking about that, really thinking about it. I came as
close to admitting that I’m not infallible as I’ve ever come, but still I know I’ll be alive tomorrow. Still I’m like Craig, drunk on the sure
knowledge of my livingness. And that’s
so incredible for a novel to be able to do, to capture that feeling of fear and
humanness so perfectly with nothing but words on paper. I realize I’m rambling, but this book just
makes you think. I ramble when I think, apparently.
I don’t know how this review turned into a post on
philosophical ponderings, but I’m going to let that show you just how good it
is. It sticks with you, it introduces
characters you’re going to love for years to come, throws gems of profundity at
you, and takes you inside one of the sweetest love stories. It hits all the marks on what makes a good
contemporary novel, and if you’ve got any ounce of sense, you’re going to run
out and buy/borrow Gone, Gone, Gone
so you can experience it for yourself.
Gone, Gone, Gone - 5 out of 5 stars
I'm waiting for the book to go on sale, but it looks like is not going to happen! :-(
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