This is not her story.
Unless you count the part where I killed her.
Sixteen-year-old Alison has been sectioned in a mental institute for teens, having murdered the most perfect and popular girl at school. But the case is a mystery: no body has been found, and Alison’s condition is proving difficult to diagnose. Alison herself can’t explain what happened: one minute she was fighting with Tori—the next she disintegrated. Into nothing. But that’s impossible. Right?
I was debating whether to give this one 4 or 4.5 stars, but by rule of thumb, if I have to debate between a higher and lower rating, I always go for the lower. But still, a 4-star rating is a really high rating from me.
I’ll start with the things that kept it from the 4.5 or even
5 star rating; Alison has a neurological condition which causes her to perceive
things differently with her senses. She
can see sounds, taste words, feel certain colors, etc. While this is an actual condition and was
essential to the story, some of Anderson’s sensory descriptions were a bit over-the-top
for me. Things along the lines of, I wanted the blue, round, fuzzy taste of
macaroni, and other jarringly odd descriptions of her synesthesia (the term
for her condition), would occasionally take me out of my usual total immersion
in the story and cause a few eye-rolls.
While I understand the need to convey synesthesia through prose to her
audience, I feel there were just a few instances where Anderson overdid it.
I can’t get into it too much without spoilers, but there is
a very definite romance in this book.
Normally I’m a total sucker for some romantic YA, but in the case of
Ultraviolet, I feel it would have been better without the romantic aspect of
it. Don’t get me wrong, I loved both the
characters, but I think their relationship would have been better had it stayed
friendly, without crossing over to the butterflies-in-my-stomach,
daydreaming-about-his-lips region.
Ultraviolet is a very original work, so unlike the mega-popular books
dominating the YA book world, and I can’t help but feel that the romance
cheapened its refreshing originality somewhat.
Though I’m probably very much in the minority on this.
Finally, the twist this novel takes in the last
quarter. I’m not sure if I liked it or
not, though if not, it has more to do with my personal preferences than any
flaws of the book. It was like the twist
of all twists, and changed the already odd tone of the book to downright weird
very quickly. It answered my questions
perfectly, but it was a direction I so did not see Ultraviolet going in. I can’t get into any more detail without
getting spoilery, but I’ll give some props to Anderson for writing a twist I
absolutely did not see coming; after years of avid book-worm-itis, I’m pretty
good at spotting “big reveals” long before they’re revealed.
Now to the things I loved about Ultraviolet; Have you ever
seen the movie Manic? It’s among my
favorites, and it takes place almost entirely in a mental facility for troubled
teenagers. What I loved about it was its
brutal honesty without glorifying these kinds of facilities or making them too
gruesome. Ultraviolet also had that very
admirable quality, which I have seen butchered so much more often than I’ve
seen it given justice. Immediately, I
felt like I was there with Alison; unwaveringly sure of my sanity at first,
then slowly given believable nuggets of doubt.
I met the other patients with her, and learned to see past their
conditions to the vulnerable, mostly normal kids underneath. I shared her distrust of some of the staff,
whether they deserved it or not, and her trust in others. I found myself living inside of the pages I
was reading, which is the highest compliment I can give a novel.
Anderson’s writing – minus the few instances I mentioned
earlier – is superb. It’s emotional,
descriptive and heart-breaking at times.
Her story is extremely original, and her characters are very well
developed and three-dimensional. She
managed to take the story to an entirely different place than I could have seen
coming, and do it with believability and a seamlessness that is nothing short
of remarkable for just how quickly the tone changes, or by just how much. Anderson is the type of writer I envy
whenever I sit in front of my keyboard, another of the highest compliments I
can give.
Overall, though there were a few minor qualms I had with
this book, Ultraviolet is a book in the world of YA that should not be missed.
Ultraviolet - 4 out of 5 stars